The art editor
Kally Ozolua, the art editor of The Nation Newspaper has a good story on my arrest by THE NIGERIA POLICE.
Readallaboutit here:
Kally Ozolua, the art editor of The Nation Newspaper has a good story on my arrest by THE NIGERIA POLICE.
Readallaboutit here:
How could I have missed Obaseki’s car as he followed us from the campus? I prided myself in being careful on the road, paying attention to the vehicles around me, and particularly in making sure that I was aware of my environment.
But as a Yoruba proverb says, one cannot be as clever as the sneak who is observing one’s activities.
The situation was critical. Obaseki was in attack mode and was no longer in full control.
Any careless statement from Gina or me could escalate the delicate matter into a full-blown crisis.
“Obaseki,” I said, “there is a misunderstanding. You are not reading things correctly.”
These kids appeared from nowhere.
They came to see the Akodi Orisa, they said.
“We know absolutely nothing about the Orisa. Do you kill people and use their blood for money.”
They wanted to learn about the Orisa from Baba Olorisa.
Like a bird, I mostly live on seeds and fruits these days.
The seeds last long, and I can easily store them in my self-isolated den.
But the fruits, I prefer them “fresh.” I, therefore, buy only enough to last for about a week whenever I visit the grocery store near my house.
So, I put on my Koro hijab and went to the grocery store.
“My he—he—he=aler at the psychi-psychi-atric hos—hos—hos–pital made me sw-sw-sw-ear never to have a con—con—con—con—con-fron-front-tation again with Miiiiiiiiisster Ru—ru-rufus,” Obaseki was whispering to me, from under the table. “Says he-he-he will bring me back back in.”
“It’s okay, Obaseki,” I said. “You come out and sit here at the table. I will go and see what’s happening.”
“Don’t, don’t, don’t leave me, Mo-Mo-Moyo,” Obaseki pleaded. “Please- plea-se-stay-stay-stay-don’t—don’t go….”
“It’s alright, Obaseki,” I assured him. “Whatever the matter is, we will get to the very bottom of it today. This is really ridiculous!”
ENGLISHMAN IN BENIN CITY, 1981 (Part Twenty-Eight) “Moyo,” Steve said, “it’s Obaseki.” “Obaseki?” It took me…
I gave my paper titled, “Can’t Kant Count: Ifa Divines for African Art History,” at the University of Wisconsin, Madison, over the weekend.
Many people gave me warm responses.
Here I was, doodling on my coffee cup while listening to another talk at the conference.