Reunited
Reunited with my painting.
Title: Fragments of the Shattered Gourd
Medium: terrachroma on canvas
Date: 2008
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Captive No More (III)
Captive No More (III)
7.
Music is the language of tragedy,
and dance, the vocabulary of trauma.
Silence, the death of feelings,
marks the beginning of madness.
After my great grandmother in vain
yelled the name of her son, Akin,
several times, and got no response,
she stepped outside and scanned
where he was playing,
and yelled his name again,
when she did not see him there
her stomach sank
because down in the pit of her womb
she knew he was gone.
DAYS OF YORE
Those days when I was much younger, I explored photography.Here are some shots of Jummai, then a great model from Northern Nigeria, now a rising woman activist and politician.
This is too easy, right?
This is too easy, right?
Do you see this person?
It’s easy to see who is hiding in the picture and what the fellow is doing, isn’t it?
I wonder.
A gigantic library has erupted in flames.
A gigantic library has erupted in flames.
There was no digital archive.
MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
At my studio in Austin
At my studio in Austin, Adetola Wewe is seen working with Keji Badmus, the first recipient of the Apprenticeship Program of the University of African Art at Austin.
The apprenticeship system is the indigenous art education school practice in the indigenous African creative cultures.