MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
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Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
“I was cursed by a mad woman,” said this caller.
It all began with a message I found in my Facebook messenger box.
“Prof, what is your WhatsApp number,” the Facebook message reads. “My number is xxx. I want to discuss something important with you and I don’t want to write it on Facebook.”
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
This young journalist called Sowore.
He reminds me of another journalist called Dele Giwa.
And another journalist called Ken Saro-Wiwa.
Do you know what happens to journalists like them?
Life is simple yet complicated in the ReDoMi civilization.
How do you say ReDoMi?
The vowels and consonants of the RedoMi people are so simple that all you have to do is open or close your lips to pronounce their words.
The consonants are especially straightforward. They contain no strong or forces sounds, not even a threatening hiss of the ZZZZ is allowed. That is too much of a snake strike for a people of the infinite dimension. Only the gentle “s” and “sh” are allowed into this linguistic tone.
ENGLISHMAN IN BENIN CITY 1982 (Part Thirty-seven) “You are quite ugly too,” Mary said without a pause. “I knew you had too much palm wine today.”
“You are angry?” I asked.
“No,” she responded. “Did I sound angry? If so, I apologize.”
“I was only trying to let you understand a simple fact of life,” I explained. “Because you were unable to sexually arouse Joshua does not imply that Gina would also be unable to sexually arouse him.”
Baba Rowland Abiodun, author of the groundbreaking treatise, YORUBA ART AND LANGUAGE: SEEKING THE AFRICAN IN AFRICAN ART, enlightening the audience at the University of Texas, Austin.