MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
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GRATITUDE
Words cannot express the magnitude of my gratitude to you, my great and wonderful friends, for the beautiful messages of love you sent to me on my birthday.
That day a friend took me to a secret hideout by the Colorado River, and we had so much fun.
I love you all.
INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART.
I am pleased to announce the publication of an essay that I wrote in 2004–sixteen years later.
The journal is the INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART.
The essay, on the work of Bing Davis, is titled “Flying Back Home.” I describe Mr. Davis as an “Afronaut.”
I did not use the term “Afrofuturism,” because that term was not even in theoretical usage at that time.
I’m 63 today.
I’m 63 today.
Feeling more like 6, maybe even 3.
Vulnerable, yet invincible.
Excited, yet introverted.
Old, yet never felt younger.
Disappointments can be a blessing.
Disappointments can be a blessing.
If Nigeria had not disappointed me, I would not be in Ghana now.
But because the political situation in Nigeria has dampened my spirit with the killing of thousands of people, the daily abduction of ordinary citizens, the lawlessness and lack of judicial repercussion for those who plunder the coffer of the country, I have started shifting my gaze away from Nigeria, and started looking at other African countries for a place to vacation, invest and create.
ENGLISHMAN IN BENIN CITY, 1981 (Part Seven)
Rufus froze when he saw Obaseki moving towards our table. His jawline tightened. The grotesque was unmasking. I understood the meaning of that facial reaction. When a cobra flattens its head and its neck while lifting up its body off the ground to the torso level, even a baby knows what that means. We had crossed the red zone. I immediately got up and picked up the tumbler in front of him before it became a scud missile. My movement also distracted him for a moment. This was the climactic moment that had been building up for a year.
Selfie
Reminds me of a painting by Parmigianino, titled SELF PORTRAIT IN A CONVEX MIRROR, painted circa 1524 during the Renaissance. In the painting, the convex mirror from which Parmigianino is painting places the artist’s hand at the forefront of the composition, in a manner that exaggerates the hands, thus proclaiming the powerful quality of the craftsmanship within the hand of an artist.