MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
Interested in some of my published works?
Follow Me
Similar Posts
CAN’T KANT COUNT?
CAN’T KANT COUNT?
My Egungun is dancing as we speak in an exhibition at the University of Wisconsin, Madison, as part of an installation titled “Whirling Return of the Ancestors.”
What is Male?
What is Male?
Who is male and who is female?
It all depends on time and space, as my father told me just before he joined the ancestors last year.
About two weeks to his transition, my father called me and said he needed to tell me something important.
The Not-I Bird (After Wole Soyinka’s Poem in DEATH AND THE KING’S HORSEMAN)
Artist: Moyo Okediji
Title: The Not-I Bird (After Wole Soyinka’s Poem in DEATH AND THE KING’S HORSEMAN)
Wole Soyinka: The Not-I Bird
“Not-I became the answering-name
Of the restless bird, that little one
Whom Death found nesting in the leaves
When whisper of his coming ran
Before him on the wind. Not-I
Has long abandoned home.
Art of Social Distancing
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Excavate.
Excavate.
It saddens me.
It saddens me.
It saddens me a lot that the southern people are not able to understand the urgency of the situation they are involved in.
Those you call the Fulani herdsmen, or the Fulani people—they are the Taliban.
Please read the last line again.
Those you call Fulani herdsmen are the Taliban.