MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
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When I arrived…
When I arrived the United States in 1992 to start a doctorate at UW, Madison, I had only $98 in my pocket.
My professor, Henry Drewal, quickly came to my assistance. He immediately paid my school fees for the first semester, and gave me $1,000 in cash to start me off. Then he provided me with free accommodation in the posh part of town for the first year of my studies, while I found my feet.
HOMESICK
In 2001, homesick, I returned to Nigeria after staying away for nine years in the US.
My destination was Ife, and I lodged in a hotel in Lagos for the first week. I used the hotel rental car, with a hired driver, to run errands. One day, the rental car driver who drove me around Lagos, said “Prof, why not just buy a car instead of spending all your money on car hires? Don’t you plan to stay in Nigeria for a couple of months? It’s best for you to get a fairly used car.”
My anti-coronavirus Esu.
My anti-coronavirus Esu.
I produced this Esu object and hung it in front of my door.
My house is marked safe.
When their Agent of Death is passing by, it sees the Esu object.
Esu, the gatekeeper, informs the Agent of Death that “He doesn’t live here. He lives on the other street.”
CONVERSATION WITH NIKE OKUNDAYE
Moyo: When I was 6 years old, I started attending the free primary school that the Western Nigerian government offered.
My teachers were supposed to teach me simple facts: how did additions and subtractions work? What happens when you mix oxygen and carbon dioxide? How do you speak English without committing grammatical blunders? And so on, and so forth.
SILICON PAINTINGS
Eight of my paintings will be shown at an art exhibition opening tomorrow Saturday, November 9, in Nairobi, Kenya.
These paintings I am showing in the exhibition are open—meaning that the paintings have no figures that can be identified as a person, place, object, tree, water or anything else that one could recognize and name. The paintings do not attempt to tell any story, nor do they illustrate any scene. The paintings are open to absorb whatever story the viewers may bring them, and they also assist in opening up the viewers’ minds to excavate memories and ideas that are in the subconscious of the viewers.