MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
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Ajé
I just completed this painting
as a tribute to
The Birth of a Beautiful Divinity, Ajé
Ajé (The Divinity of Profit, Prosperity and Wealth)
Acrylic on canvas
THE PARABLE OF THE TOO BIG TO FALL
When young women went to the river to fetch water, they would disappear.
The king’s royal beads even went missing.
People were worried. One of the wise men said, “Let’s approach Ọlọ́run to give us a police boss.”
But who could they trust? One of them must be the thief.
They decided unanimously that the only trustworthy person in the entire community was Ijapa.
Ijapa gave them only one condition: “Nobody should visit my house without letting me know in advance that they were coming.”
I remember
I remember when I was a curator at the Denver Art Museum from 1999-2008.
One of the highlights of my days in Denver was the opening of the African art gallery designed by Daniel Libeskind, (aka Best Architect in the World).
ENGLISHMAN IN BENIN CITY, 1981 (Part Twelve)
Iya Ngu stopped eating. She had not touched most of the food in front of her, and did not eat the two pieces of goat meat left in her plate after Professor Wangboje helped himself to the first one. She began to wash her hands.
“Madam,” I asked, “you are not eating the meat? It’s delicious goat meat.”
20.10.20
Let the house rat hear
and tell the bush rat.
Safeguard your community.
Let each community of 1000 citizens
Form a fence of 100 youths.
Take a census of 1000 names
in each community unit.
Document the name, age and occupation
of everyone within your community.
Do not rely on police protection
there is none anymore.
Ìyàwó: Wife of Fortune
Ìyàwó: Wife of Fortune
It was an open Saturday at our hostel.
On the way to my grandparents’ house, I ran into a wedding party.
I met Iya Oyo curiously inspecting a large, covered bowl when I arrived home.
