MAKING AFRICA
Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
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Yes, tomorrow I will give a gallery talk in the MAKING AFRICA exhibition at the Blanton Museum, University of Texas, Austin.
I will title the talk, “I am Africa.”
It was very cold last Saturday when we celebrated our annual Egungun Festival. But the òtútù did not deter us from celebrating our ancestral heritage.
Next year we will still be here to celebrate again.
I can beat Usain Bolt, the sprint legend, in a one hundred meter dash.
How is that possible?
Simple: if he ties up one of his legs and sprints me by hopping down the track on just one leg.
Why would a bunch of French neocolons sit in broad daylight and discuss strategies to come to Africa to experiment with the Coronavirus vaccines on African bodies? (Many of you have seen the viral video, I believe, of these two French humanists dialoguing about going to Africa to experiment with the Coronavirus vaccine on Africans). They can do that dialogue on television with such unimaginable confidence because they know fully well that Africans and especially their leaders have lost the necessary spiritual rigor to resist invasion and abuse.
Becoming an Olorisa is no longer an option for the African: it is the most effective form of intellectual and spiritual resistance against neocolonial aggression.
The Yoruba people comprise of several tribal units, each speaking a different dialect of the Yoruba language.
There is Yoruba literature, which has developed a large body of writings including novels, poetry, critical writing and essays.
Yoruba is studied in universities all over the world, and you may get a Ph.D. in Yoruba studies, one of the very few indigenous languages in Africa in which you get a doctorate.
Yoruba music is rich, with various genres both traditional and modern.
ENGLISHMAN IN BENIN CITY, 1981 (Part Thirty-One)
Gina did not look glad or relaxed. I could read it in her posture, without even getting close to her.
Rufus said, “Moyo, Gina is back!”
Steve hardly allowed the bus to stop properly before jumping down to run and hug her.
“Is that her?” Adolo asked Felicia rather softly.
“Yes,” Felicia responded. “That’s her.”
I got down slowly, and took my time locking up the door. Then I went to Gina. She looked down and didn’t meet my eyes. I thought, “She must be mad because she didn’t see us at her father’s funeral.”
“When a man is talking, the woman must shut up,” the young bricklayer was yelling. His colleague confirmed, “Yes, this is man to man talk. You need to keep quiet and let us settle this matter.”
My jaw was hanging in disbelief. I’ve been away too long from Nigeria. Nobody spoke to and about women like this when I was growing up. Now these young men drooling blasphemous vomit, where did they drop from? Am I hearing these statements, or am I dreaming? Is it just my imagination, or what?