Similar Posts
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
Road rage
“Oloriburuku! Were! Olosi! Alakori!” Road rage yelling coming from all angles.
I am covered in sweat as I sit patiently behind the wheel.
The AC of my truck has broken down. And the automatic window winder is not working. But my sweat glands are working.
Another painting that I just extracted from my garage is this dark work.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
Ìbàdí Àrán (Duchess).
Artist: Moyo Okediji
Title: Ìbàdí Àrán (Duchess).
Medium: silicon on paper
Date: 2020
Rivers of Life
Rivers of Life
Folks are flowing waters:
We fail to connect upstream,
Downstream we shall meet
Those you shun today,
Trees
Trees are my favorite lovers.
They are always there for you.
People walk away.
Trees are marvelous spirits.
You can talk to the spirits in the tree.
