Bèbè Ìdí (Beaded Waistline)
Artist: Moyo Okediji
Title: Bèbè Ìdí (Beaded Waistline)
Medium: Terracotta
Date 2010
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Artist: Moyo Okediji
Title: Bèbè Ìdí (Beaded Waistline)
Medium: Terracotta
Date 2010
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
AJÁ AND ÀGÙNTÀN
In the olden days, Aguntan, the sheep, was the most respected animal in the entire Yorubaland.
Aguntan was the embodiment of Iwapele (gentleness of character), suuru (patience) and iforiti (perseverance).
The entire world decided that Agutan was the best fellow to be crowned the king because of his wonderful character.
They made Agutan the king, and the world was happy and prosperous.
ỌDÚN (Year)
Artist: Moyo Okediji
Title: ỌDÚN (Year)
Medium: silicon on canvas
Size: 96″ x 36″
ỌDÚN is a Time Traveler.
Just as a lens focuses light to the point
that it can generate enough heat
to set a leaf on fire:
The Òrùlé Orí uses sound and space
to focus and raise the level
of positive energy in an individual.
How? It’s the principle of electricity.
You connect the charger to the electricity socket to charge the battery of your laptop. Your laptop wakes up, ready to go.
LOOKING BACK
I
Exile, however sweet,
for home makes the heart yearn.
Àjò kìí dùn
kónílé gbàgbé ilé.
I colored the Yoruba proverb above for emphasis.
Why?
Because everybody living in Nigeria is a hero.
It is often akin to being a kamikaze pilot in WWII.
They just survived the #EndSars uprising.