Omidan (Damsel)
Artist: Moyo Okediji
Title: Omidan (Damsel)
Medium: terracotta
Date: 2010
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2013
I did this exhibition in 2013.
Egungun Festival Day
Egungun Festival Day in Austin TX, this afternoon.
I’m dressed for it.
We are celebrating the rituals of our ancestors.
Àwa ó ṣorò ilé wa ò
Àwa ó ṣorò ilé wa ò
Ìgbàgbọ́ ò pé, mo róye
Ìmọ̀le ò pé káwa má sorò
Àwa ó ṣorò ilé wa ò.
ÌKÚNLẸ̀ ABIYAMỌ
How does one translate ÌKÚNLẸ̀ ABIYAMỌ into English, yet retain the picture that that term conveys in the original Yoruba context?
The word “childbirth,” which is the direct translation of ÌKÚNLẸ̀ ABIYAMỌ does not give the picture of the kneeling woman, giving birth to a child.
Ifa reads
Ifa reads the ọpọ́n of 2019 elections in Nigeria and shakes his head at Ìwòrì Méjì, which says inter alia, that:
Pregnant women will no longer be delivered.
The barren ones will remain barren.
The sick will remain infirm.
Small rivers will dry up.
Art of Social Distancing
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
The fellow hiding in this picture is easy to find, right
The fellow hiding in this picture is easy to find, right
