APPRECIATION
I really thank Olodumare this year.
2019, the year I had my leg accident, also the year of my great recovery.
Interested in some of my published works?
Follow Me
I really thank Olodumare this year.
2019, the year I had my leg accident, also the year of my great recovery.
At the coffee shop.
Guys checking out my friend, like “What’s that?”
We are the people of the 22nd century.
Many models would give an arm and a leg to look as fit as these artists at the Àkòdì Òrìṣà, Ile Ife, Nigeria!
Now, look carefully at this picture.
You will see the Àkòdì Òrìṣà artists pounding clay with pestles in a mortar. Do you notice that the mortar is upside-down, as these orisa artists are pounding the clay?
I prefer the name Yoruba Republic.
Oduduwa Republic would be a second choice.
I prefer Yoruba Republic because the word “Yoruba” already has a global circulation and reception.
Yoruba language is taught in many universities in the world, including the University of Texas, Austin, with two full-time professors giving lectures to undergraduate and graduate students.
In addition to the professors teaching Yoruba language, I teach Yoruba art, and there are distinguished professors teaching Yoruba history.
I have traveled to New York, Los Angeles, Berlin, London, Toronto, Sofia, Beijing, Paris, Athens, Rome, Tokyo and Kyoto.
I have been to several other cities of the West and the East.
Let me bring you something I observed from my travels:
The natives of these places don’t speak Yoruba, Igbo, Hausa, Twi, Zulu or any language form Africa.
In 2016, I looked into the middle of the Opon Ifa and what did I see?
I saw women, simple, rural, agrarian women carrying automatic weapons on their way to their farmlands.
Some of them were pregnant, some carrying loads on their heads, some with their children, some walking alone, some hiking in groups, all moving from one point to another.
I sat up abruptly. What was this I was seeing?
Arresting house. The house, because it is so arresting, led to my arrest as its owner and builder. They came to arrest the house—not just the architect.
The house is the culprit. They came to place it behind bars. They had no problems with setting the designers and builders free as long as they are able to lock away the arresting building.