APPRECIATION
I really thank Olodumare this year.
2019, the year I had my leg accident, also the year of my great recovery.
Interested in some of my published works?
Follow Me
I really thank Olodumare this year.
2019, the year I had my leg accident, also the year of my great recovery.
Miyetti Allah cattle herders want grazing grounds in the south?
I have not touched beef in more than a decade.
But fair enough.
We the Orisa devotees in Yorubaland have a simple request as well–in the interest of peace, progress and prosperity.
We want to have 100 square miles in each northern state reserved for us as our Igbó Orò. We need the space to break kola and worship our orisas.
Michael Harris
My brother, Michael Olonade Harris, has transitioned.
This loss is enormous.
He was my inspiration, critic, supporter, strength, teacher, collector, promoter, everything.
I knew.
Iyalode: Before the Invention of Women
My grandmother, Iya Oyo, belonged to the generation of women who didn’t experience what the sociology scholar, Professor Oyeronke Oyewumi described as the “invention of women.”
What Professor Oyewumi means is that nowadays, there are lots of rules and regulations that appear to specify what a woman is supposed to do, and what she is not supposed to be.
“Hold it, hold it,” Obaseki said, “here come your people.” He gestured with his nose in the direction of a couple of flickering lights in the dense darkness.
“What is going on there,” I asked?
“That’s Joshua’s spot,” Obaseki said. “He just arrived. And he has company. Most probably Gina.”
I was drunk, anyway, so I asked for one more bottle of beer.
“We are out of ready-made snails,” our attendant explained. “We can make some for you by order. But I recommend you try our ram. There is no better ram in the world than ours.”
Independence Day
Mother, why birth me black
in a white caul
with a white umbilical chord
feeding me off a tube
connected to your navel
from my prosimian body?
Welcome to the new world.
It’s not going to look like your father’s world.
So, this lady came to the Àkòdì Òrìṣà, and asked the women artists working there, “What are you people doing here? What is this place?”
The curator said, “Madam, this is the Àkòdì Òrìṣà, and as you can see, we are working.”