Àkòdì Òrìṣà artists
Àkòdì Òrìṣà artists painting the outside fence at Ile Ife, Nigeria.
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Àkòdì Òrìṣà artists painting the outside fence at Ile Ife, Nigeria.
YORÙBÁ DÌDE
Ọmọ Yorùbá ẹ dìde
Dìde, dìde, dìde.
Ẹyin Yorùbá ẹ dìde
Dìde, dìde, dìde.
Gbogbo Yorùbá ẹ dìde
Dìde, dìde, dìde.
Ọjọ́ ti pé, ẹ dìde
Dìde, dìde, dìde.
Ẹ má sùn mọ́, ẹ dìde
Dìde, dìde, dìde.
Iṣẹ́ ti yá, ẹ dìde
Dìde, dìde, dìde.
Èrù ò bà wá, ẹ dìde
Dìde, dìde, dìde.
Àyà ò fò wá, ẹ dìde
HOUSE OF THE HEAD: ÒRÙLÉ ORÍ
The latest addition to the Àkòdì Òrìṣà
is the ÒRÙLÉ ORÍ,
the House of the Head.
Órí is the most important òrìṣà
in Yoruba divinity.
Waiting to give a talk at a symposium at the Museum of Contemporary Art, Miami, FL.
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
The mighty and resplendent Iya Iroko
tree had remained rooted
to the same spot
near the Oba river
for three hundred and sixty-four seasons
watching the ways of humans
from the viewpoint of a plant
under which folks sat
Make more children.
Many, many, many, more children.
More and more and more.
Àmọ̀tẹ́kùn kids.
Let every Amotekun woman produce ten.
Let every Amotekun man make 50.
There is food in the land to feed them.