ÌMỌ́DÒYE
ÌMỌ́DÒYE
An Akodi Orisa Sculpture
Ile Ife, Nigeria
January 2019
Artist: Moyo Okediji
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ÌMỌ́DÒYE
An Akodi Orisa Sculpture
Ile Ife, Nigeria
January 2019
Artist: Moyo Okediji
Hey, world out there
I hunker down here
and hail you, dear friend,
for we now live in the world
of virtual friends
but you can’t hug anymore.
We live in a new world.
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
The Birth
Of a New Year? New opportunities? New visions? New directions? New hopes? New tools? New thoughts? New leaf? New step? New energy? New start? New move? New song? New voice? New motive? New motif? New dance? New question? New answer? New mission? New me?
The construction process at the Àkòdì Òrìṣà proceeds with the building of Ìwòrì-Òdí, an architectural monumentality of the third and fourth programs of the Ifa computer.
Nightfall.
Ile Ife.
For many years after arriving in the US, whenever I slept, I would dream of Ile Ife, where I grew up.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.