ÌMỌ́DÒYE
ÌMỌ́DÒYE
An Akodi Orisa Sculpture
Ile Ife, Nigeria
January 2019
Artist: Moyo Okediji
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GOOD FAKE NEWS
Photo: still in solitary confinement at home.
I’m not taking the vaccine.
Not yet.
Waiting to see what happens.
The lack of sunlight is depleting the melanin shield of my skin.
But I take Vitamin D supplements to compensate for a lack of access to sunlight.
Last night I was looking for my pet elephant and discovered it was hiding inside my beard.
That’s fake news.
Good fake news.
MEANINGLESS WORD
MEANINGLESS WORD
“Food is not ready,” Iya Oyo informed me. “This is just a snack. I know you are hungry” In Yoruba she said “Fi eléyìí panu. Mo mọ̀ pé ebi ti ń pa ẹ́.”
She left me a bowl full of boiled groundnuts. I loved boiled groundnuts. It was still in the shell. “You can throw the shells here after cracking them.” In Yoruba , she said, “Pa èèpo ẹ̀pà ná à sínú abọ́ yìí.
And it still remains legible.
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
Rivers of Life
Rivers of Life
Folks are flowing waters:
We fail to connect upstream,
Downstream we shall meet
Those you shun today,
Adetola Wewe posing with the first painting…
Adetola Wewe, is with me in Austin, Texas, posing with the first painting he completed and signed as an artist in residence at the University of African Art Residency, Texas, Austin.
They came to see the Akodi Orisa.
These kids appeared from nowhere.
They came to see the Akodi Orisa, they said.
“We know absolutely nothing about the Orisa. Do you kill people and use their blood for money.”
They wanted to learn about the Orisa from Baba Olorisa.