The Man.
The Man.
I was going through a bunch of old drawings and happened upon this 2016 drawing I did during the summer.
It is The Man.
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ENGLISHMAN IN BENIN CITY, 1982 (Part 38)
“Wole Soyinka wants to have a word with Rufus. Tell him to come as soon as possible. Kongi travels out of the country next week,” was the simple message that I got back from Kole Omotosho.
Omotosho was the head of the Dramatic Art Department, University of Ife. He sent a driver to me to collect a manuscript, “Marx and Mask,” written by the brilliant Ghanaian writer, Ayi Kwei Armah.
Soyinka regularly received manuscripts from several writers, and after making copies, he would distribute the manuscripts among his circle of intellectuals who met at least once a week to read and discuss the manuscripts.
The Akodi Orisa is tranquil.
The Akodi Orisa is tranquil.
It is perfect as an art retreat.
It makes for a great place to reside and study, to research, fully focus on an idea and push it through.
The birds are serenading the grounds.
The breeze is soothing, as the sun blazes away, with the green foliage shading us from the rays.
It is heavenly here.
Evening.
Evening.
The sun is setting.
The night is falling in Ile Ife.
For many years after I arrived in the United States, whenever I slept, I would dream of Ile Ife.
Post-Naija Flip-Flop
Post-Naija Flip-Flop
We are now in a Post-Covid Era.
It doesn’t mean that the Covid is over. It simply means that our lives have witnessed the ravage of this virus, and we are still here to talk about it.
Can we say we are in a Post-Naija era?
It doesn’t mean that there is no Nigeria any longer. It simply means that we have witnessed the ravage of this virus and we are still here to talk about it.
THE TAX COLLECTOR
I was in Form Three in the secondary school and sat in my hard, wooden seat trying hard to pay attention to the blackboard.
It was Friday morning and Simple Americana, as we called the history teacher, was teaching us about Nigeria. Every teacher in the school had a nickname
19 years
I was 19 years old in 1975 and an undergraduate studying painting at the University of Ife when my friend, Augusta Akusu-Ossai, took this picture of me.
The attire I’m wearing in the picture is typical of what I always wore in those days: a long adire (batik) top that I designed and sewed myself, and the baggy pants of that era.