Akinwumi Isola.
Akinwumi Isola (1939-2018).
One of the greatest.
The only Honest Man
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Akinwumi Isola (1939-2018).
One of the greatest.
The only Honest Man
Gina was looking at me directly in the eye as she began to turn the button that reclined the car seat. The moon came out of a clump of clouds and highlighted half of her face, as she pressed her back against the front seat, flattening it almost completely on the back seat. Her teeth, as she smiled at me, looked perfectly even, and they sparkled like diamonds in the dark.
“You are a handsome man, Uncle Mo,” Gina said. “Your mom must be very beautiful.”
“Thanks, Gina,” I responded. “My mom is beautiful indeed, but everybody thinks his mother is beautiful.”
In this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
In 2001, homesick, I returned to Nigeria after staying away for nine years in the US.
My destination was Ife, and I lodged in a hotel in Lagos for the first week. I used the hotel rental car, with a hired driver, to run errands. One day, the rental car driver who drove me around Lagos, said “Prof, why not just buy a car instead of spending all your money on car hires? Don’t you plan to stay in Nigeria for a couple of months? It’s best for you to get a fairly used car.”
I drove to my favorite drive-in coffee shop and stopped at the window to collect my standard order of “Banana bread with nuts, warmed, and a small cup of coffee, black.”
She was waiting for me. She smiled broadly. Her name tag read Jazmine.
“You always have your coffee black,” Jazmine observed. “I like mine with some cream and sugar.”
“Your shirt is cool, Jazmine,” I said. I stretched out my hand from the window of the car as she leaned out from the window of the coffee house to hand me my order.
Moyo Okediji
Title: What the MoMA Did To My Momma Series #1
Medium: Collage
Date: April 2018
My first month in the United States, 1992.
I began to paint in my office at the University of Wisconsin-Madison.
I was trying to discover myself again in a new world after leaving behind Nigeria and everything that was meaningful to me, everything that had anchored me.