Akinwumi Isola.
Akinwumi Isola (1939-2018).
One of the greatest.
The only Honest Man
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Now, please watch this one-minute clip after reading my short note.
Now, please watch this one-minute clip after reading my short note.
This morning I went to my usual coffee shop, not too far from my house in Austin, Texas.
It was my favorite hangout before the outbreak of the Covid.
But now, it has become only a drive-in shop, and I sat in my Jeep, waiting for the young woman to take my order.
“Tall coffee and a banana nut bread warmed,” I told her.
“Sure,” she said. “That will be five dollars and seventy cents.”
SILICON PAINTINGS
Eight of my paintings will be shown at an art exhibition opening tomorrow Saturday, November 9, in Nairobi, Kenya.
These paintings I am showing in the exhibition are open—meaning that the paintings have no figures that can be identified as a person, place, object, tree, water or anything else that one could recognize and name. The paintings do not attempt to tell any story, nor do they illustrate any scene. The paintings are open to absorb whatever story the viewers may bring them, and they also assist in opening up the viewers’ minds to excavate memories and ideas that are in the subconscious of the viewers.
Baba Rowland Abiodun
Baba Rowland Abiodun, author of the groundbreaking treatise, YORUBA ART AND LANGUAGE: SEEKING THE AFRICAN IN AFRICAN ART, enlightening the audience at the University of Texas, Austin.
YORUBA HISTORIOGRAPHY: FROM YORUBA RONU TO YORUBA DIDE
YORUBA HISTORIOGRAPHY: FROM YORUBA RONU TO YORUBA DIDE
Hubert Ogunde did the opera “Yoruba Ronu” fifty years ago.
It means Yoruba, use your sense.
We are now beyond the stage of Yoruba Ronu.
We are now in the phase of Yoruba Dide.
Yoruba dide means Yoruba, stand up.
Let us begin with Yoruba historiography.
Oladejo Okediji
Oladejo Okediji, a handsome gentleman who also happens to be my baba, is receiving great honors from the Obafemi Awolowo University and the South West Association of Nigerian Authors–to acknowledge his contribution to African literature, at the young age of 90.
ENGLISHMAN IN BENIN CITY,1981 (Part Nineteen)
I had never seen Papa Ru in such a subdued mood. Nothing could have slugged him harder than the thought of Kongi maltreating him. He used to boast that it was because of Kongi that he returned to Nigeria from Britain.
Kongi had attended an event that Rufus produced for the BBC in London in 1979. And after the event, Rufus said, “Kongi met me backstage and asked, ‘Young man, what are you doing here, with all this talent that you have? You need to return to Nigeria immediately and contribute to the development of your country.’”
