Coffeehouse.
Coffeehouse in Austin.
It can get pretty wild out here in Austin if you know what I mean.
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ENGLISHMAN IN BENIN CITY, 1982 (Part Thirty-Two)
Steve quickly realized that it was a bad idea to take off his shirt to enjoy the breeze. He hurriedly wore it back. He had complained about the heat, which was one of the reasons we left the house.
Steve, finally, decided to take us to a place not too far from the house to show off the body of water he said he discovered. He had been raving about it, but we were unable to go and see it, distracted by the various things happening in such rapid succession.
Prominent on the list of my to-do-things was a visit to River Steve.
Born in the Kòró era.
Born in the Kòró era,
my granddaughter knows only two faces:
her mother and her father.
These kids born in the United States
to parents who are isolating
only know two faces.
FORGIVE US OUR SINS
When are we going to have orisa legislations in the southwest Nigeria to prosecute blasphemy against indigenous Orisa and Irunmole, with the imposition of death penalty on anybody who blasphemes against our indigenous holy names?
For example, should there be a death penalty imposed on anyone who calls Esu “Satan,” as believers do in churches and mosques daily in Yorubaland?
SONG OF THE BANDIT 2: The Return
2: The Return
He was flying back “home” for the first time in his life.
At thirty-six, he felt that he had waited a little too long.
But better late than never: this is the moment he had been waiting for all his life.
He peeped out through the window of the aircraft as it descended toward their landing, with the building, vehicles and roads becoming bigger and bigger as the plane drew nearer the landing ground.
Another painting that I just extracted from my garage is this dark work.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
The Not-I Bird (After Wole Soyinka’s Poem in DEATH AND THE KING’S HORSEMAN)
Artist: Moyo Okediji
Title: The Not-I Bird (After Wole Soyinka’s Poem in DEATH AND THE KING’S HORSEMAN)
Wole Soyinka: The Not-I Bird
“Not-I became the answering-name
Of the restless bird, that little one
Whom Death found nesting in the leaves
When whisper of his coming ran
Before him on the wind. Not-I
Has long abandoned home.
