The stuffs in my office
The stuff in my office needs organizing. One day I’ll get to it. One of these days when I have nothing to do.
Interested in some of my published works?
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Like a bird
Like a bird, I mostly live on seeds and fruits these days.
The seeds last long, and I can easily store them in my self-isolated den.
But the fruits, I prefer them “fresh.” I, therefore, buy only enough to last for about a week whenever I visit the grocery store near my house.
So, I put on my Koro hijab and went to the grocery store.
Irun Orí (Stiletto Coiffure)
Irun Orí (Stiletto Coiffure)
I associate the beauty of my mother, who just transitioned, with intricately plaited hair, and her fine and soft skin.
I cannot imagine her otherwise.
In the sixties, women plaited their hair.
Hahahaha! Look at his Johnny Walker!
Yesterday I made this funny painting. Hahahaha! Look at his Johnny Walker!
I sampled the painting from a wood panel sculptured by Dada Arowoogun, a Yoruba artist whose work narrates Yoruba life during the 19th century.
The work is relevant because Yoruba people are still doing what we used to call “two-fighting.” In our primary school days, when the teacher forbade speaking in vernacular, and all the English we knew were three words: “Two fighting” were two crucial words of the three.
A scale
A scale drops from my eyes, and gradually these terrains of the future open out to me.
All around me, I find these characters from the future visiting the present domain.
They are sculpted out of fire.
Suffer-Suffer For World
My annual (NOT monthly) salary as a Senior Lecturer at the Obafemi Awolowo University in 1992 (right before I left for the United States) was N9,600.
It’s not a typo. N9,600 only, for the entire year.
OGUN ABIBIMAN
Artist: Moyo Okediji
Title: Wole Soyinka’s OGUN ABIBIMAN
Medium: acrylic on canvas
Date: 2018
Awam Amkpa
