The First Akodi Orisa
The Akodi Orisa that I constructed in 2011, Ondo, Ondo State, Nigeria. It is the model for the one in Ile Ife.
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The Akodi Orisa that I constructed in 2011, Ondo, Ondo State, Nigeria. It is the model for the one in Ile Ife.
TO MY GRANDDAUGHTER ON GRANDPAS DAY
I landed a fish last summer.
It begged me to catch and release.
I said I was hungry
It said better to hunger than kill
“We are all fishes”, it reminded me,
“angling in a lake of love.”
I saw the same fish this summer
Yoruba Numbers: Ení, Èjì Ẹ̀ta
Yoruba culture, using the Ifa dimension, is quite visual.
I therefore designed a Yoruba writing system that is essentially visual.
Law of diminishing returns
Where is your book?
In a lock-down world
in which information production
and dissemination has changed.
I use the books to build a wall
to distance me socially because
The library as we knew it
has become a museum.
“There’s nobody who will see this place and not be afraid,” the two men on the bike said this morning as they stopped and kept looking at our newest installation at the Àkòdì Òrìṣà.
Bí ìwọ́ bá ṣe rere, ara kì yíò ha yá ọ? I wonder where I got that quote from. Is it a Yoruba proverb?
I wouldn’t be surprised if it was from the Bible.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.