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ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
ENGLISHMAN IN BENIN CITY, 1982 (Part Forty-Three)
“Hey, Moyo,” Hilda yelled. “Are you alright? Are you with us?”
“Yes, I am,” I responded. I pulled myself back to the moment.
The traffic was light and the road excellent. The Lagos to Benin expressway was the best road I had ever driven on. The bus zoomed along on it effortlessly.
“You went so silent and looked so vacant, I could have sworn you were not here,” Steve said.
“I was here alright,” I answered.
“Thinking about Gina?” Hilda asked.
HOW MANY IGBO BOYS HAVE WE SHOT THIS MONTH?
Can someone help me to translate this into as many Nigerian languages as possible, please?Many of the boys I played soccer with in Ile Ife on bare rough grounds in-between houses, using oranges and rags tied together to form balls, all the way from infancy to age ten, were Igbo kids.In 1965, they told me they were leaving, returning home.“When are you coming back?”“Papa says we are not coming back.”
ENGLISHMAN IN BENIN CITY, 1981 (Part Thirty-One)
ENGLISHMAN IN BENIN CITY, 1981 (Part Thirty-One)
Gina did not look glad or relaxed. I could read it in her posture, without even getting close to her.
Rufus said, “Moyo, Gina is back!”
Steve hardly allowed the bus to stop properly before jumping down to run and hug her.
“Is that her?” Adolo asked Felicia rather softly.
“Yes,” Felicia responded. “That’s her.”
I got down slowly, and took my time locking up the door. Then I went to Gina. She looked down and didn’t meet my eyes. I thought, “She must be mad because she didn’t see us at her father’s funeral.”
How I wished
Here I was, instructing my students at the University of Texas, Austin, on the principles of Ifa computational coding. How I wished I also enjoyed the opportunity to teach young people in universities in Africa this same skill. But I have no such opportunity. And it’s not for a lack of trying, even offering my services for free.
Sold!
I’m pleased to inform my friends that this historic painting which I completed in 1992 is now going to a home that will care for it, love it and protect it from damage and misfortunes. As the single parent of this painting, I feel a sense of loss that she is leaving me.