The Odo Ogbe market
I went to the Odo Ogbe market, Ile Ife.
The market women went, “Oyinbo, come give us a hug.”
This world is beautiful.
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I went to the Odo Ogbe market, Ile Ife.
The market women went, “Oyinbo, come give us a hug.”
This world is beautiful.
II The doctor is Seyi Ogunjobi, an artist in residence at the Obafemi Awolowo University’s Center for Cultural Studies. He has been assisting me to build the ÀKÒDÌ ÒRÌṢÀ. At the exact time the police was storming the construction site of the ÀKÒDÌ ÒRÌṢÀ, Ogunjobi, a Leeds doctorate in creative arts, was moderating a discussion in the lecture theater of the Center for Cultural Studies, at the Obafemi Awolowo University campus. Part of the seminar series of the center where Ogunjobi works, his duties include hosting the seminar series, at which invited guests presents on a regular basis. Yesterday, Ogunjobi was moderating a seminar that I presented, titled, “Invisible Canvas: Painting as Performance in Ile Ife.”
ENGLISHMAN IN BENIN CITY, 1981 (Part Twenty-Seven)
“So whose panties are those?” Adolo asked, pointing at something.
She had just finished wiping down my feverish body. She sat on the chair. Felicia sat on the table and Steve stood, holding on to the open door of the wardrobe.
I didn’t know what Adolo was referring to.
“What panties?” I asked.
“These ones,” She said.
Steve looked in her direction, and answered, “Gina’s”
I was weary and in a dreamlike state. The fan whirling above was noisy, and as it blew the air on my wet body, I felt bone-rattling shivering spells.
I really wanted to cover my body with the blanket.
“She must have left them there when she was here,” Steve said.
“Gina?” Adolo asked. “Who is Gina?”
“Guess you may say Moyo’s new girl,” Steve said.
“Moyo? He has a new girlfriend?” Adolo asked.
Queen Elizabeth did not wait for my arrival in 1956 before she returned to England.
She arrived Lagos by air January 28, 1956, and returned February 16, 1956.
I arrived Lagos by birth February 25, 1956.
I was disappointed when I arrived and was told she already returned a week before I landed.
Like a bird, I mostly live on seeds and fruits these days.
The seeds last long, and I can easily store them in my self-isolated den.
But the fruits, I prefer them “fresh.” I, therefore, buy only enough to last for about a week whenever I visit the grocery store near my house.
So, I put on my Koro hijab and went to the grocery store.
When young women went to the river to fetch water, they would disappear.
The king’s royal beads even went missing.
People were worried. One of the wise men said, “Let’s approach Ọlọ́run to give us a police boss.”
But who could they trust? One of them must be the thief.
They decided unanimously that the only trustworthy person in the entire community was Ijapa.
Ijapa gave them only one condition: “Nobody should visit my house without letting me know in advance that they were coming.”
I found this 2001 painting in my garage. At that time, my friend, Moyo Ogundipe was staying with me.As the curator for African and Oceanic Arts at the Denver Art Museum, I had invited Moyo Ogundipe for a solo exhibition at the museum. He had one year to prepare for the exhibition.