THE REAL ẸKÙN
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
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I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
Back to class. School has changed.I now teach remotely from home,talking to my laptop,addressing cyberspace from my house,as if it was real life. Where does life end and fantasy begin?Nobody knows, nobody cares.
The mighty and resplendent Iya Iroko
tree had remained rooted
to the same spot
near the Oba river
for three hundred and sixty-four seasons
watching the ways of humans
from the viewpoint of a plant
under which folks sat
AMERICANA AT OKADA PARK
“You fine o. You wan marry Okada?”
“Excuse me?”
“Yes, nau. Mek Americana marry Okada.”
“What?”
“Lekki marry Ajegunle o, Americana marry musician…”
“Don’t understand you.”
Ifa reads the ọpọ́n of 2019 elections in Nigeria and shakes his head at Ìwòrì Méjì, which says inter alia, that:
Pregnant women will no longer be delivered.
The barren ones will remain barren.
The sick will remain infirm.
Small rivers will dry up.
How does one translate ÌKÚNLẸ̀ ABIYAMỌ into English, yet retain the picture that that term conveys in the original Yoruba context?
The word “childbirth,” which is the direct translation of ÌKÚNLẸ̀ ABIYAMỌ does not give the picture of the kneeling woman, giving birth to a child.
Moyo Okediji
Title: We Are All Fishes Angling in a Simmering Lake
Medium: acrylic on canvas
Date: 2021
24″ x 30″