THE REAL ẸKÙN
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
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I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Where is your book?
In a lock-down world
in which information production
and dissemination has changed.
I use the books to build a wall
to distance me socially because
The library as we knew it
has become a museum.
With Jelili Atiku’s sculpture of Mandela and wearing Luis Emilio Marin’s Esu figure in my office today, University of Texas at Austin.
My Nigerian friends are going to be so scared!!!!
Anthonia Nneji has done me again.
I am speechless.
I must write her a poem.
Accept yourself.
Whatever your failing,
regardless of your weaknesses.
Love and cuddle your life
appreciate the little you have.
Cherish what nature handed you
keep it well
this mini that you have.
Captive No More (III)
7.
Music is the language of tragedy,
and dance, the vocabulary of trauma.
Silence, the death of feelings,
marks the beginning of madness.
After my great grandmother in vain
yelled the name of her son, Akin,
several times, and got no response,
she stepped outside and scanned
where he was playing,
and yelled his name again,
when she did not see him there
her stomach sank
because down in the pit of her womb
she knew he was gone.