FISHING OUT AFROFUTURE
FISHING OUT AFROFUTURE
Will they choose gills
rather than human lungs
to swim and live below the sea?
Interested in some of my published works?
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DAYS OF YORE
Those days when I was much younger, I explored photography.Here are some shots of Jummai, then a great model from Northern Nigeria, now a rising woman activist and politician.
My edited book on the work of Dotun Popoola is now out.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
ANIMAL FARM IN BELGIAN KONGO
Title: ANIMAL FARM IN BELGIAN KONGO
acrylic on canvas, 2020
I’ve been working on this painting for one month.
The journey has been long
on a bumpy road
After I painted her
After I painted her,
she looks down at me
and asks me
what is the meaning
one of the paintings I just discovered in my garage.
This is one of the paintings I just discovered in my garage.
The painting celebrates Robert Hayden’s poem, “Middle Passage.”
It is a really long poem.
The painting focuses on this excerpt:
“That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her: ”
The character across the floor of the ship being whipped to consent is the lady called Guinea Rose in the poem.
ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ
The idea of ILẸ̀ Ọ̀GẸ́RẸ́ AFỌKỌ́ YẸRÍ must be difficult for those who interpret reality from the binary western tradition of male/female, living/dead, organic/synthetic, plant/animal, tall/short, high/low, liquid/solid, left/right and right/wrong or past/present.