Akinwumi Isola.
Akinwumi Isola (1939-2018).
One of the greatest.
The only Honest Man
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Akinwumi Isola (1939-2018).
One of the greatest.
The only Honest Man
Madam Ngu looked at my most recent painting and from the expression on her face, I could see that she did not like it.
She sat on the big chair in the center of my studio in the Ekenwan campus. I had arranged my paintings around the wall as she requested, ready for her critique.
“Muyo,” she said, “you need more life drawing classes.”
“Yes, madam,” I responded.
He almost made it into 2019. I wonder what stopped him.
The last of the soft kleptomaniacs and kleptocrats?
In his days, politicians stole in hundreds of thousands of naira. Or a few couples of million naira.
They were soft kleptomaniacs and kleptocrats.
Now we have hardcore kleptomaniacs and kleptocrats.
Because I am now always home, I went into my garage and discovered a body of about ten large paintings dating to 1993.
This is one of them.
I just painted and rolled up the canvases, and forgot about them.
Rufus froze when he saw Obaseki moving towards our table. His jawline tightened. The grotesque was unmasking. I understood the meaning of that facial reaction. When a cobra flattens its head and its neck while lifting up its body off the ground to the torso level, even a baby knows what that means. We had crossed the red zone. I immediately got up and picked up the tumbler in front of him before it became a scud missile. My movement also distracted him for a moment. This was the climactic moment that had been building up for a year.
Josephine was embarrassed when I informed her that her white uniform was soaked with blood at the back.
She immediately opened the door and jumped into the bus. As she entered the bus, she realized that the seat from which she got up was already soaked in blood also. She became confused. She didn’t know whether to sit on the bloody seat, but as she hesitated, I gently led her down to the seat. Just as her uniform, the seat was already stained. No further damage could be done. What was most important at that point was her health.
I was 19 years old in 1975 and an undergraduate studying painting at the University of Ife when my friend, Augusta Akusu-Ossai, took this picture of me.
The attire I’m wearing in the picture is typical of what I always wore in those days: a long adire (batik) top that I designed and sewed myself, and the baggy pants of that era.