MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Interested in some of my published works?
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Ọ̀SẸ́ Ọ̀YẸ̀KÚ
I
Request:
Now that Ibadan
is under fire,
is all lost?
What does Ifa say?
Response:
Ifá responds with Ọ̀sé Ọ̀yẹ̀ku.
In Ọ̀sẹ́ Ọ̀yẹ̀kú, Ifá traces the same passage
Teacher: Nigeria means NIGGER AREA. Spell it.
Teacher: Nigeria means NIGGER AREA. Spell it.
Student: I-T.
Teacher: River Niger means NIGGER river. Spell it.
Student: I-T.
Ghana was named Gold Coast.
The people were smart enough
The Birth
The Birth
Of a New Year? New opportunities? New visions? New directions? New hopes? New tools? New thoughts? New leaf? New step? New energy? New start? New move? New song? New voice? New motive? New motif? New dance? New question? New answer? New mission? New me?
Ọ̀yẹ̀kú Méjì Dome
Architect-artist: Moyo Okediji Curator: Bisola Oladunjoye Builders: The Àkòdì Òrìṣà artists Title: Ọ̀yẹ̀kú Méjì Dome Date: 2018 Location: Ile Ife, NigeriaIn this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
THE BAIT
THE BAIT
To trap a chicken,
a few grains of corn.
to trap a dog
just a bone
to trap the antelope
okra is enough
To trap a cobra
the egg of a chicken
The Farmer of Colors
The Farmer of Colors
Harvesting a field
of chromatic linguistics
is akin to a dance:
first you must hold
your canvas like a partner
and place layers of
harmonious tinctures over
the picture plane.