MY WORKS
Two of my work hanging in the exhibitions‘Wole Soyinka: Antiquities Across Times and Place’ in Haiti, curated by Awam Amkpa of New York University.
Interested in some of my published works?
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KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
Professor Adeleke Adeeko has used my recent painting for the cover of his new book, titled KỌ́LẸ́Ẹ̀JÌ ONÍGBÁMÉJÌ.
It is a translation of Femi Osofisan’s book, titled CHOLERA COLLEGE.
Professor Adeeko teaches at Ohio State University, Columbus, OH.
Waiting
Waiting to give a talk at a symposium at the Museum of Contemporary Art, Miami, FL.
BOY or GIRL?
If you were given the choice as a parent to produce just one child in your life, would you rather have a boy or a girl?
Traditionally we would all say a boy.
Now take a look at the pillar that these Amazon women are building.
It is made of steel inside, and it is covered by clay.
Another painting that I just extracted from my garage is this dark work.
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
The Birth
The Birth
Of a New Year? New opportunities? New visions? New directions? New hopes? New tools? New thoughts? New leaf? New step? New energy? New start? New move? New song? New voice? New motive? New motif? New dance? New question? New answer? New mission? New me?
And it still remains legible.
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip