Coffeehouse.
Coffeehouse in Austin.
It can get pretty wild out here in Austin if you know what I mean.
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Coffeehouse in Austin.
It can get pretty wild out here in Austin if you know what I mean.
Henry Drewall, the philosopher of sensiotics, wrote a couple of days ago that, “Moyo mi owon — you have turned pain into paint…for us to see and feel….”
He should know. Sensiotics is the archeology of feelings within the human sensibility.
This painting shared here is about the pain and joy of departures and arrivals, as one of my Transatlantic Series: in 1992, I started it in Nigeria just as I was relocating to the to the United States, where I completed it.
What audacity have the leaders and elders of Nigeria to judge the youths when they have pillaged the entire treasury of the country and left the young with nothing!
What sort of nation have the elders built for the young ones to be proud of?
It is annoying to see the elders gripe about the young ones in Nigeria when the elders have totally failed to lead.
Woman: Ọmọ Ọlọ́mọ
Iya Oyo had a woven basket full of unshelled melon seeds on one side, and on the other side, she had a bowl into which she dropped the shelled melons, as she worked rapidly, automatically, her fingers moving so rapidly they formed a blur if you pay attention to them.
***This is a story that my Luo friend told me. She says it’s from among the Luo people of Kenya.
In Yoruba we call it “Àǹfààní àdúgbò.”
Please help me translate Àǹfààní àdúgbò to Oyinbo.
Wife 1: Our husband has not yet returned home?
Wife 2: No o. It is now 11 pm.
It was very cold last Saturday when we celebrated our annual Egungun Festival. But the òtútù did not deter us from celebrating our ancestral heritage.
Next year we will still be here to celebrate again.
Rufus was almost done eating the plate of food abandoned by Obaseki, and was washing his hand, still chewing the last piece of the goat meat. Then to my amazement, we saw Obaseki as he returned, walking through the door, straight into the buka. He looked dazed, as if he was walking in his sleep. He hesitated briefly, before making directly for our table. Dede Mabiaku took one look at him, and said, “Dis man don shack very bad Igbo.” (“This man looks like he has been smoking pot.”)