2013
I did this exhibition in 2013.
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The Àkòdì Òrìṣà artists
In this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
MEANINGLESS WORD
MEANINGLESS WORD
“Food is not ready,” Iya Oyo informed me. “This is just a snack. I know you are hungry” In Yoruba she said “Fi eléyìí panu. Mo mọ̀ pé ebi ti ń pa ẹ́.”
She left me a bowl full of boiled groundnuts. I loved boiled groundnuts. It was still in the shell. “You can throw the shells here after cracking them.” In Yoruba , she said, “Pa èèpo ẹ̀pà ná à sínú abọ́ yìí.
GOLD MINE
In front of my latest work, titled GOLD MINE
Terrachroma on canva
Phallic Nipple
We are getting close to the end of the architectural sculpture.
Captive No More (III)
Captive No More (III)
7.
Music is the language of tragedy,
and dance, the vocabulary of trauma.
Silence, the death of feelings,
marks the beginning of madness.
After my great grandmother in vain
yelled the name of her son, Akin,
several times, and got no response,
she stepped outside and scanned
where he was playing,
and yelled his name again,
when she did not see him there
her stomach sank
because down in the pit of her womb
she knew he was gone.
The carpenter is singing as he does the roof:
The carpenter is singing as he does the roof:
Ẹ̀yin tẹ́ ń lóyún lé rodo-ríndín, hẹn-ẹn
Bọ́mọ bá yàgbẹ́ o
Baba rẹ̀ ní ó ko.
Translation:
You who conceive while your infants are mere suckling babies
When your infants mess their pants
Their daddies will change their diapers.
