Day and night
Day and night, for three weeks.
And finally, it is done.
Interested in some of my published works?
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Day and night, for three weeks.
And finally, it is done.
Back to class. School has changed.I now teach remotely from home,talking to my laptop,addressing cyberspace from my house,as if it was real life. Where does life end and fantasy begin?Nobody knows, nobody cares.
Do you know why people say Ọbá wàjà (the monarch climbed the rafter) and not Ọbá kú (the monarch died)?
You will find the answer to the riddle in Ìrẹtẹ̀ Méjì.
Orunmila was a monarch, who gave birth to several other monarchs including Alárá, Ajerò, Ọlọ́wọ̀ and several others.
You will also find out in Ìrẹtẹ̀ Méjì why Yoruba people (ọmọ a yọ orù bá wọn tọ́jú) do not die, but climb the rafter.
HASHTAG DAY: 20-10-2020 I remember, how could I forget, the tense couple of days before October…
Life Begins At 65
I’m only just 64, but life begins at 65
I thank all my friends who sent me birthday wishes yesterday.
I can’t wait for the party to start when, finally, I get born one year from today.
But, it’s alright. Some people are only in their thirties, forties, fifties and early sixties. They have to wait a while to get born and start rocking.
At 65, you’ve done it all. Life has thrown all it has at you, and you have stood your ground. You can easily say, “Ẹran kí la ò jẹ rí? What edible flesh am I yet to chew?”
This is one of the paintings I just discovered in my garage.
The painting celebrates Robert Hayden’s poem, “Middle Passage.”
It is a really long poem.
The painting focuses on this excerpt:
“That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her: ”
The character across the floor of the ship being whipped to consent is the lady called Guinea Rose in the poem.
Architect-artist: Moyo Okediji Curator: Bisola Oladunjoye Builders: The Àkòdì Òrìṣà artists Title: Ọ̀yẹ̀kú Méjì Dome Date: 2018 Location: Ile Ife, NigeriaIn this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.