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Adetola Wewe posing with the first painting…
Adetola Wewe, is with me in Austin, Texas, posing with the first painting he completed and signed as an artist in residence at the University of African Art Residency, Texas, Austin.
My gallery space
My gallery space, Austin, TX.
Art of Social Distancing
Yesterday, my friend, Femi, called from Maryland and we had a long and beautiful conversation on the art of social distancing.
He wanted to buy a painting.
I told him I was happy to sell a painting and sent him a picture of the work.
I said the painting would look good as a Zoom backgrounder—like when FOX News calls and wants your opinion.
Are you going to panic because the artless interior of your home would suddenly become exposed to hundreds of millions of people on television and social media?
Captive No More (Part VI)
Captive No More (Part VI)
17
Tanto, my grandfather’s dog
was busy harassing a lizard
when he caught the scent
of strange bodies.
He did not hear them
and he did not see them
but he could smell them
within fifty yards from him.
METAMODERN VISION OF TOLA WEWE.
I am joyful today that I gave birth to a new baby.
As a writer, I am always very happy to see my new book in print.
A book is like a child: it takes a lot of work to raise a child.
But the credit for raising a child doesn’t belong to the parents only: the community also supports the parents as they raise the child from infancy to adulthood.
To all Omo a yọ orù bá wọn tọ́jú ọmọ tuntun
To all Omo a yọ orù bá wọn tọ́jú ọmọ tuntun;
Ọmọ́ gbó,
Orù ò gbó:
the offspring of those who bring out the orù pot of herbs to care for infants;
the baby prospers,
and the pot does not falter.”