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ÌKÚNLẸ̀ ABIYAMỌ
How does one translate ÌKÚNLẸ̀ ABIYAMỌ into English, yet retain the picture that that term conveys in the original Yoruba context?
The word “childbirth,” which is the direct translation of ÌKÚNLẸ̀ ABIYAMỌ does not give the picture of the kneeling woman, giving birth to a child.
WEAPONIZING MEAT
WEAPONIZING MEAT What is at stake in Nigeria is much more than the crisis of the…
Back to class.
Back to class. School has changed.I now teach remotely from home,talking to my laptop,addressing cyberspace from my house,as if it was real life. Where does life end and fantasy begin?Nobody knows, nobody cares.
A NEW PORTRAIT
Artist: Iyaba Ibo Mandingo
Portrait of Moyo Okediji
He makes my head egglike; the portrait looks like a profile made from an ancient coin.
I love you Iyaba!!!!
The Last Dance.
The Last Dance.
Adetola Wewe is working in my studio gallery on his last painting as the first resident fellow of the University of African Art at Austin.
He is concluding a one-month stay, and has produced an incredible number of paintings during this short period.
He will leave for Houston during the week, from where he plans to fly back home.
Today, he will share his residency experience with the students of the University of Texas at Austin, in a course titled “Introduction to African Art,” taught by Moyo Okediji.
one of the paintings I just discovered in my garage.
This is one of the paintings I just discovered in my garage.
The painting celebrates Robert Hayden’s poem, “Middle Passage.”
It is a really long poem.
The painting focuses on this excerpt:
“That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her: ”
The character across the floor of the ship being whipped to consent is the lady called Guinea Rose in the poem.
