THE REAL ẸKÙN
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
I went to see the REAL ẸKÙN to pay my respects, soon after his coronation.
This is not imported. It was from the ancient
forests of Ile Ife.
Hmmm.
Òdí Méjì
This cold weather is here again.
How many layers do I wear just to go and get a cup of coffee from Starbucks?
Six layers.
ÀMỌ̀TẸ́KÙN: No kidding
The Yoruba forests have already lost too many animals to local hunters who spare nothing with life in the bushes.
And the Yoruba language has lost too many words to the brainwashed indigenes who refuse to speak the language or pass it down to their children.
It is not a good time to ask for the meaning of Àmọ̀tékùn.
The meaning is totally lost, to be honest with everyone.
These kids appeared from nowhere.
They came to see the Akodi Orisa, they said.
“We know absolutely nothing about the Orisa. Do you kill people and use their blood for money.”
They wanted to learn about the Orisa from Baba Olorisa.
Make more children.
Many, many, many, more children.
More and more and more.
Àmọ̀tẹ́kùn kids.
Let every Amotekun woman produce ten.
Let every Amotekun man make 50.
There is food in the land to feed them.
Artist: Moyo Okediji
Title: Ìbàdí Àrán (Duchess).
Medium: silicon on paper
Date: 2020
Artist: Moyo Okediji
Title: Rites of Passage
Medium: silicon on paper
Date: 2020
Omidan (Damsel)
Artist: Moyo Okediji
Title: Two Friends and a Bird
Medium: Terracotta
Date: 2010
Artist: Moyo Okediji
Title: Omidan (Damsel)
Medium: terracotta
Date: 2010
Artist: Moyo Okediji
Title: Bèbè Ìdí (Beaded Waistline)
Medium: Terracotta
Date 2010
Artist: Moyo Okediji
Title: Orò Ilé
Medium: terracotta
Date: 2010