The stuffs in my office
The stuff in my office needs organizing. One day I’ll get to it. One of these days when I have nothing to do.
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The stuff in my office needs organizing. One day I’ll get to it. One of these days when I have nothing to do.
Akodi Orisa resident artist, Foluso.
These are some of the artists at the Akodi Orisa, Ile Ife, Nigeria, taking a minute off for a photoshoot. They paint, sculpt, do installation works, perform and design in several mediums.
They are a garrison of creative spirits, using art to express the joy and struggles of being Nigerian.
They are awe-inspiring pioneers.
Now, please watch this one-minute clip after reading my short note.
This morning I went to my usual coffee shop, not too far from my house in Austin, Texas.
It was my favorite hangout before the outbreak of the Covid.
But now, it has become only a drive-in shop, and I sat in my Jeep, waiting for the young woman to take my order.
“Tall coffee and a banana nut bread warmed,” I told her.
“Sure,” she said. “That will be five dollars and seventy cents.”
The most central building on our school campus was also the building that gave me claustrophobia. It was the school chapel.
Right in front of the building was a stone monument. Within the monument was a plaque, with the inscription, “STUDY TO SHEW THYSELF APPROVED UNTO GOD. 2 Timothy, 2:15”
That, certainly, was not good English, I concluded. Even at age eleven, I felt they needed a copyeditor.
“You’re kidding me, right?” I asked Steve when he said that Gina was probably in my room. He extended his bottle of beer to Rufus who yanked off the top with his teeth and handed it back.
“Why sounding so alarmed?” Steve asked. “If you asked me, I’d say let’s swap places.”
“What!” I said, alarmed at his suggestion.
“You can stay in my cold room tonight,” Steve, “and I can use your warm room.”
“Is that British custom?” I asked sarcastically.
Did he wink? I couldn’t quite tell in the dark. He said, “The British have no custom. Only Africans have customs.”
I’m pleased to inform my friends that this historic painting which I completed in 1992 is now going to a home that will care for it, love it and protect it from damage and misfortunes. As the single parent of this painting, I feel a sense of loss that she is leaving me.