GOLD MINE
In front of my latest work, titled GOLD MINE
Terrachroma on canva
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In front of my latest work, titled GOLD MINE
Terrachroma on canva
Another painting that I just extracted from my garage is this dark work.
There is an interesting story behind it.
In the year 2000 or 2001, the British Museum invited me to give a lecture as part of the ceremonies held in commemoration of the 50th anniversary of the coronation of Queen Elizabeth II, and also to mark the completion of the Great Court built as an extension of the main museum building. They wanted me to address the body as my topic.
Moyo Okediji will be in conversation with Jason Storm
Event: The book launch of METAMODERNISM: THE FUTURE OF THEORY
When: Aug 27, 2021
02:00 PM Eastern Time (US and Canada)
I turn the same painting upside down, as Iya Afilaka instructed me. And it still remains legible.
Why?
Because we have paid Iba (homage)
to the vagina that is turned
upside down, yet
does not drip
The leaf placed on the right side
On the right side remains
The leaf placed on the left side
On the left side stays
Ewé tí a já sọ́wọ́ ọ̀tún
My Dear Child
Before you were born—
if you raised your binoculars,
if you could peep
through the keyhole of life
Would you open the door
and walk right through?
Or would you run back
To all Omo a yọ orù bá wọn tọ́jú ọmọ tuntun;
Ọmọ́ gbó,
Orù ò gbó:
the offspring of those who bring out the orù pot of herbs to care for infants;
the baby prospers,
and the pot does not falter.”