This cold weather is here again.
This cold weather is here again.
How many layers do I wear just to go and get a cup of coffee from Starbucks?
Six layers.
This cold weather is here again.
How many layers do I wear just to go and get a cup of coffee from Starbucks?
Six layers.
My anti-coronavirus Esu.
I produced this Esu object and hung it in front of my door.
My house is marked safe.
When their Agent of Death is passing by, it sees the Esu object.
Esu, the gatekeeper, informs the Agent of Death that “He doesn’t live here. He lives on the other street.”
TO SWAT OR NOT TO SWAT
The Odu Ọ̀YẸ̀KÚ Ọ̀KÀNRÀN appears for #ENDSWAT.
Listen:
It was the lopsided Òro pear
Who cast Ifa divination for Amomo,
Who at dawn proceeded to the farm;
They warned him
To be spiritually mindful
And offer sacrifices
To prevent unforeseen circumstances
That could lead to his sudden death
A friend, who is also a devout, church-going Christian just talked with me a few minutes ago. He called from Nigeria.
“What is wrong with these kids?” he asked me. “Why can’t they protest peacefully? What has their quarrel against police brutality got to do with burning down buildings, and looting stores? They are criminals. They are worse than the politicians they are criticizing. If you place them in positions of power, they would do worse.”
I didn’t respond. After all, I didn’t call him. He called. He must have something really important to say to have spent his money calling me.
“My he—he—he=aler at the psychi-psychi-atric hos—hos—hos–pital made me sw-sw-sw-ear never to have a con—con—con—con—con-fron-front-tation again with Miiiiiiiiisster Ru—ru-rufus,” Obaseki was whispering to me, from under the table. “Says he-he-he will bring me back back in.”
“It’s okay, Obaseki,” I said. “You come out and sit here at the table. I will go and see what’s happening.”
“Don’t, don’t, don’t leave me, Mo-Mo-Moyo,” Obaseki pleaded. “Please- plea-se-stay-stay-stay-don’t—don’t go….”
“It’s alright, Obaseki,” I assured him. “Whatever the matter is, we will get to the very bottom of it today. This is really ridiculous!”
This work that I completed in 1980 was stolen from my house in Nigeria around 1994.
If anyone is in possession of it, please know that it is stolen work.
This work and more than fifty masterpieces were stolen from my apartment
I remember when I was a curator at the Denver Art Museum from 1999-2008.
One of the highlights of my days in Denver was the opening of the African art gallery designed by Daniel Libeskind, (aka Best Architect in the World).