This cold weather is here again.
This cold weather is here again.
How many layers do I wear just to go and get a cup of coffee from Starbucks?
Six layers.
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TABLE
I once visited a rich single lady living in a gorgeous house with the most amazing furniture.
After we ate, I felt relaxed and we started a great conversation, with expensive wine served in elegantly shaped goblets.
That was when wahala started. The expression in her eyes changed. She became slightly alarmed.
“Would you mind not placing your leg on the table?” she requested softly.
THE PARABLE OF THE TOO BIG TO FALL
When young women went to the river to fetch water, they would disappear.
The king’s royal beads even went missing.
People were worried. One of the wise men said, “Let’s approach Ọlọ́run to give us a police boss.”
But who could they trust? One of them must be the thief.
They decided unanimously that the only trustworthy person in the entire community was Ijapa.
Ijapa gave them only one condition: “Nobody should visit my house without letting me know in advance that they were coming.”
A TALE OF THREE ROBBERS
My father told me the story of three thieves. He was a fiction writer, so I never knew if it was something he made up, or read up.
But let me tell you the tale if you got one minute:
Three thieves received info that a miner kept a large bundle of gold in his house. They decided they should go and relieve the guy of his treasure. “After all,” argued one thief, “he dug up this stone from the ground that God gave all of us.”
At the airport
At the airport and, incredibly, within this period, I gave birth to the ÀKÒDÌ ÒRÌṢÀ, the building in the background of this picture.
The things we take for granted.
The things we take for granted.
I wanted to plant some flowers. Ordinarily I would simply jump up, grab the seeds, and plant the flowers.
But things are now different.
Without a serviceable leg, I had to think carefully of the strategy that would enable me to plant the flowers.
Selfie
Reminds me of a painting by Parmigianino, titled SELF PORTRAIT IN A CONVEX MIRROR, painted circa 1524 during the Renaissance. In the painting, the convex mirror from which Parmigianino is painting places the artist’s hand at the forefront of the composition, in a manner that exaggerates the hands, thus proclaiming the powerful quality of the craftsmanship within the hand of an artist.