At the coffee shop.
At the coffee shop.
Guys checking out my friend, like “What’s that?”
We are the people of the 22nd century.
At the coffee shop.
Guys checking out my friend, like “What’s that?”
We are the people of the 22nd century.
Àkòdì Òrìṣà at sunset, Ile Ife, Nigeria.
This is the location of the Àkòdì Òrìṣà, the home of the ancestral orisa in Yoruba country.
The curator of the Àkòdì Òrìṣà sent me this picture to inform me of the treat that awaits me when I return to Ile Ife. I’ll be there soon. Soon.
I will close my eyes and transport myself back home, among my friends, drinking palm wine laced with stout, or whatever. Khaki. Or whatsoever friends gift our ancestors.
Àjò ò dùn bí ilé.
It is Thanksgiving week in the United States when people are giving thanks to their ancestors.
It was very cold last Saturday when we celebrated our annual Egungun Festival. But the òtútù did not deter us from celebrating our ancestral heritage.
Next year we will still be here to celebrate again.
It was very cold last Saturday when we celebrated our annual Egungun Festival. But the òtútù did not deter us from celebrating our ancestral heritage.
Next year we will still be here to celebrate again.
Egungun Festival Day in Austin TX, this afternoon.
I’m dressed for it.
We are celebrating the rituals of our ancestors.
Àwa ó ṣorò ilé wa ò
Àwa ó ṣorò ilé wa ò
Ìgbàgbọ́ ò pé, mo róye
Ìmọ̀le ò pé káwa má sorò
Àwa ó ṣorò ilé wa ò.
Architect-artist: Moyo Okediji Curator: Bisola Oladunjoye Builders: The Àkòdì Òrìṣà artists Title: Ọ̀yẹ̀kú Méjì Dome Date: 2018 Location: Ile Ife, NigeriaIn this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
In this building, called Ọ̀yẹ̀kú Méjì, I designed a structure serving as a home of sacred art, using innovative designs and materials that explore indigenous African traditions. I will post details of the building below.
Analytical Poetic Transformation
Deploying El Anatsui at the Blanton Museum, University of Texas, Austin
Hope is my only light
Out of all gloomy nights
Whatever hope fights
Hope prevails
You shall know the truth, and the truth will set you free.
The rubber is beginning to bite the tarmac.
‘Ògidi ọmọ Yorùbá ni mí, mò fẹ́ràn èdè àti àṣà Yorùbá púpọ̀’.
In the Blanton Museum Gallery, I talked; looked like the audience got it.