Excavate.
Excavate.
Found anything?
Interested in some of my published works?
Follow Me
Similar Posts
My new classroom is inside my laptop.
Today, I delivered the first two classes via my laptop to my students.
All my students, colleagues, friends and family also live inside my tiny laptop, where we shake hands, hug, and do just about anything we want. I didn’t know there was so much space inside my tiny laptop.
I’m 63 today.
I’m 63 today.
Feeling more like 6, maybe even 3.
Vulnerable, yet invincible.
Excited, yet introverted.
Old, yet never felt younger.
My edited book on the work of Dotun Popoola is now out.
My edited book on the work of Dotun Popoola is now out.
It looks so magnificent, like a grande Egungun performance.
The publisher says it goes for 50,000 naira per copy.
This hyper-colorful hardcover book that is larger than a royal Agbada arrived at my doorsteps for the New Year.
It is the most beautiful book I have ever seen.
Congrats to the wonderful art historians, Kunle Filani, Tolulope Sobowale, Olusegun Fajuyigbe, and Kehinde Adepegba, who contributed powerful essays to the book.
Sháyó Philosophy
Yesterday we met again to see if they had hot pepper soup at the local African joint.
Logically, when these simple folks enter a pepper soup joint, it is like Ṣẹ̀lẹ́ enter spirit: matters get philosophically historical like magicadabra.
“We are in October again,” I said, just because the bottle of stout looked chilled.
Does anyone know where to get aásà?
Does anyone know where to get aásà? My grandma, her soul is resting in peace, She…
ENGLISHMAN IN BENIN CITY, 1981 (Part Nine)
Madam Ngu finally cornered me in the buka.
If I had any inkling she was coming to that buka that fateful day, I would rather have starved than be found dead there. She had been looking for me for weeks. And I had been evading her. I was trying to break free of her influence and she was trying her very best to ensure that she stamped herself into my art, my being, my style of creating, and my idioms of expression. She had studied at the Royal College in London and was trying to make me a master draughtsman who painted in the European fashion. And I was a radical looking for a way to break out of the western mold of painting.
